Edward Morgan Forster
Edward Morgan Forster (1879-1970)
English author and critic, member of Bloomsbury group and friend of Virginia Woolf. After gaining fame as a novelist, Forster spent his 46 remaining years publishing mainly short stories and non-fiction. Of his five important novels four appeared before World War I. Forster's major concern was that individuals should 'connect the prose with the passion' within themselves, and that one of the most exacting aspect of the novel is prophecy.
"If human nature does alter it will be because individuals manage to look at themselves in a new way. Here and there people - a very few people, but a few novelists are among them - are trying to do this. Every institution and vested interest in against such a search: organized religion, the State, the family in its economic aspect, have nothing to gain, and it is only when outward prohibitions weaken that it can proceed: history conditions it to that extent." (from Aspects of the Novel, 1927)
Edward Morgan Forster was born in London as the son of an architect, who died before his only child was two years old. Forster's childhood and much of his adult life was dominated by his mother and his aunts. The legacy of her paternal great-aunt Marianne Thornton, descendant of the Clapham Sect of evangelists and reformers, gave later Forster the freedom to travel and to write. Forster's years at Tonbridge School as a teenager were difficult - he suffered from the cruelty of his classmates.
Forster attended King's College, Cambridge (1897-1901), where he met members of the later formed Bloomsbury group. In the atmosphere of skepticism, he became under the influence of Sir Jamer Frazer, Nathaniel Wedd, Goldsworthy Lowes Dickinson, and G.E. Moore, and shed his not very deep Christian faith. After graduating he travelled in Italy and Greece with his mother, and on his return began to write essays and short stories for the liberal Independent Review. In 1905 Foster spent several month in German as tutor to the children of the Countess von Armin.
In the same year appeared his first novel, WHERE ANGELS FEAR TO TREAD. In the following year he lectured on Italian art and history for the Cambridge Local Lectures Board. In 1907 appeared THE LONGEST JOURNEY, then A ROOM WITH A VIEW (1908), based partly on the material from extended holidays in Italy with his mother. The first part of the novel is set in Florence, where the young Lucy Honeychurch is visitng with her older cousin Charlotte Bartless. Lucy witnesses a murder and becomes caught between two man, shallow, conventional Cecil Vyse and George Emerson, who kisses Lucy during a picnic. The second half of the novel takes place at Windy Corner, Lucy's home on Summer Street. She accepts a marriage proposal from Cecil. The Emerson become friends of the Honeychurches after George, Mr. Beebe, who is a clergyman, and Freddie, Lucy's brother, are discovered bathing nude in the woods. Finally Lucy overcomes prejudices and marries George. Forster also wrote during the pre-war years a number of short stories, which were collected in THE CELESTIAL OMNIBUS (1914). Most of them were symbolic fantasies or fables.
HOWARDS END (1910) was a story that centered on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. The book brought together the themes of money, business and culture. "To trust people is a luxury in which only the wealthy can indulge; the poor cannot afford it." (from Howards End) The novel established Forster's reputation, and he embarked upon a new novel with a homosexual theme, MAURICE. The picture of British attitudes not long after Wilde was revised several times during his life, and finally published posthumously in 1971. His personal life Forster hid from public discussion. In 1930 he had a relationship with a London policeman. This important contact continued after the marriage of his London friend.
Between the years 1912 and 1913 Forster travelled in India. From 1914 to 1915 he worked for the National Gallery in London. Following the outbreak of World War I, Forster joined the Red Cross and served in Alexandria, Egypt. There he met the Greek poet C.P. Cavafy, and published a selection of his poems in PHARAOS AND PHARILLON (1923). In 1921 Forster returned to India, working as a private secretary to the Maharajah of Dewas. The land was the scene of his masterwork A PASSAGE TO INDIA (1924), an account of India under British rule. It was Forter's last novel - and for the remaining 46 years of his life he devoted himself to other activities. Writing novels was not the most important element in his life. In the book he wrote: "Most of life is so dull that there is nothing to be said about it and the books and talk that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend." After Forster's death his literary executors turned down approaches from Joseph Losey, Ismail Merchant and James Ivory, and Waris Hussein, to make a feature film version of the book, but eventually David Lean was approved as director. Forster had shared with T.E. Lawrence a dislike and distrut of the cinema. The two last chapetrs of A Passage to India Forster had also written under the influence of Lawrence's The Seven Pillars of Wisdom. Later Lean was criticized that he produced his own vision of India, not Forster's. He also changed the ending of the story, defending himself: "Look, this novel was written hot on the movement for Indian independence. I think the end is a lot of hogwash so far as a movie is concerned." (from David Lean: A Biography by Kevin Brownlow, 1996)
Passage to India (1924) - Adela Quested visits Chandrapore with Mrs Moore in order to make up her mind whether to marry the latter's son. Mrs Moore meets his friend Dr Azis, assistant to the British Civil Surgeon. She and Adela accept Azis's invitation to visit the mysterious Marabar Caves. In this trip Mrs Moore nearly faints in the cave and goes mad for an instant. Adela asks Azis, "Have you one wife or more than one?" and he is shocked. "But to ask an educated Indian Moslem how many wive he has - appalling, hideous!" She believes herself to have been the victim of a sexual assault by Azis, who is arrested. Adela is pushed forward by his frieds and family but she admits that she was mistaken. "Something that she did not understand took hold of the girl and pulled her through. Though the vision was over, and she had returned to the insipidity of the world, she remembered what she had learnt. Atonement and confession - they could wait. It was in hard prosaic tones that she sais: 'I withdraw everything.'" Mrs Moore dies on the voyage home at sea. "The heat, I suppose," Mr Hamidullah says. Azis has changed his liberal views. "We may hate one another, but we hate you most. If I don't make you go, Ahmed will, Karim will, if it's fifty-hundred years we shall get rid of you; yes, we shall drive every blasted Englishman into the sea, and then' - he rode against him furiously - 'and then,' he concluded, half kissing him, 'you and I shall be friends.'" - The novel's title derives from Walt Whitman, but the American poet's celebration of the opening of the Suez Canal as bringing together East and West is qualified by Kipling's assertion that 'ne'er the twain shall meet.' The Nobel writer V.S. Naipaul has claimed once that Forster knew hardly anything about India: "He just knew a few middle-class Indians and the garden boys whom he wished to seduce."
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